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It all began on the Glidden Homestead at 921 W. Lincoln Hwy., DeKalb. It was reported that Joseph began searching for a better fencing method after
his wife, Lucinda, complained about livestock getting into the yard. Lucinda, in
her own later recollections, told about her large wire hairpins that began
disappearing from a milk glass dish on her dresser during the winter of 1872-73.
She questioned their 20-year-old daughter, Elva Frances, who denied taking them.
Joseph later admitted to using them for
his new fence idea.
When the weather improved, Joseph
purchased a reel of smooth fence wire from Isaac Ellwood's hardware store and
began experimenting in the barn or barnyard. At one point, he tried to form a
piece of wire into a small coil that would fit reasonably tight on a single
strand of wire. After being struck with a hammer, it would tightly clinch around
the wire and stay in place.
However, with only pliers and tools, Joseph found it
difficult to produce a coil small enough with sufficient uniformity for his
needs. He took his problem to his long-time friend, the blacksmith Phineas
Vaughan. Together, they took apart an
old coffee mill and reassembled it,
utilizing the principle of a moving sleeve and a lug. With a turn of the crank,
the machine produced a small uniform-sized coil.
The site of
Vaughan's original blacksmith shop
downtown DeKalb (north side between
Third and Fourth streets) is marked with
a horseshoe embedded in the concrete
sidewalk. Local historians believe it is
an original horseshoe from Vaughan's
shop.
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Video
clips
from "Barbed Wire Pioneers:
Inventing a Community," a
film by Northern Illinois
University Media Services
and Department of
Communication, under the
direction of Dr. Jeffrey
Chown:
http://dig.lib.niu.edu/dekalb/video.html |
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Phebe A. Vaughan
1830-1898 |

Phineas Vaughan’s Anvil
Gravestone
An actual anvil
belonging to Phineas
(back left corner of
headstone) marks the
spot where he and his
wife, Phebe, were laid
to rest in
Evergreen Cemetery,
North Seventh Street,
DeKalb, IL.
Photo
by Kathy Vance
Siebrasse, 2007 |
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